Get the Look: Lauren Conrad at US Weekly’s Hot in Hollywood Party.

Amy Nadine, makeup artist for COVERGIRL did Lauren Conrad’s makeup for US Weekly’s Hot in Hollywood Party.  I love the retro-glam look, don't you?


As a Style honoree for US Weekly’s Hot in Hollywood Party, Lauren wanted to showcase an outfit from her very own upcoming Paper Crown holiday collection.  Given that and her perfectly-coiffed top knot, we knew it was the just the occasion to rock a red lip.  Here’s exactly what I did using all COVERGIRL:

FACE

First I applied NatureLuxe Silk Foundation in Sandstone all over her face and neck with a sponge.

I then gave her a pretty flush with Simply Ageless Sculpting Blush in Plush Peach, first by warming it up between my fingers then swirling it on the apples of her cheeks.

EYES

Lauren is sporting her signature cat-eye winged liner using LineExact Liquid Liner in Very Black.  Starting in the inner corner it was lightly dragged across the lashline then upward and outward towards the end of her brow. Tip: the harder you press the tip, the thicker the line, so start with light pressure than gradually press harder as you travel across towards the outer corners.

I followed with two coats of LashBlast Fusion Mascara in Very Black and tucked in a few individual lashes in the outer corners to complement the winged effect.

LIP

I finished with COVERGIRL LipPerfection in Tempt, a scarlet red color that I powdered for a matte look with translucent powder using an eyeshadow blending brush.

Golden Globes Beauty: Sofia Vergara.

Sofia Vergara’s makeup artist, Kayleen McAdams, was reaching for a modern retro feel. Instead of a classic smoky eye, McAdams selected jewel purple tones for the “Modern Family” star. She kept the focus on the eyes and lashes, with a cat-eye feel. The rest of the look ? Sheer, glowy and simply gorgeous.

The products used to create her look:

  • Absolue BX Makeup
  • Blush Subtil in Rose Fresque
  • Le Crayon Poudre in Brunet (brows)
  • Artliner in Aubergine
  • Color Design 5 Pan Palette in Coral Crush (out in Feb.)
  • Définicils High Definition and Hypnôse Custom Mascaras
  • L’Absolu Nu in Sheer Mousse (out in March)

Golden Globes Beauty: Sandra Bullock.

Celebrity Makeup Artist Angela Levin did the makeup look for Sandra Bullock for this years Golden Globe Awards.

Beauty Inspiration:
"My inspiration for Sandra was rock and roll with just a touch of disco!! Sandra and I agreed that a strong semi rock and roll eye with a touch of glamour would work well using similar colors that are in the jewels and dress and taking in consideration the bangs and hair style.”

Beauty Tip:
"I prepped Sandra’s skin with the CHANEL Sublimage Concentrate, and then applied CHANEL Hydramax + Active Cream. On her eyes I first used CHANEL then using a combination of all colours from the Ombres Perlees de CHANEL Eyeshadow Palette, using the dark shades on the outside and working my way
in to the lightest. I lined her eyes with CHANEL Long-Lasting Eyeliner in Ebene, and then applied two coats of CHANEL Inimitable Intense Mascara in Noir.  I powdered her face with CHANEL Natural Finish Pressed Powder, and CHANEL Blush Duo Tweed Effect in Tweed Pink.  Finally, on her lips I used
CHANEL Rouge Coco Lip Colour in Chintz.”

Celebrity hairstylist David Babaii tended to her tresses. 

The 60's took the lead on Sandra Bullock's look with creating a full bang and textured ends. Celebrity hairstylist David Babaii applied a small amount of Couture Colour Pequi Oil Treatment to her damp hair. After blow drying her hair straight with a paddle brush, David sectioned the hair separating the bang area first then clipping the sides and back. Starting at the nape he re-applied an additional amount of Couture Colour Pequi Oil Treatment to each section creating the maximum amount of shine while flat ironing the hair completely straight with IT&LY HAIRFASHION'S Digital Flat Iron. Using a digital control allows the proper temperature to achieve the best results. For the bang area, he flat ironed them by turning the iron slightly under creating a soft cupping affect. To finish he applied some of the oil to his hands warming slightly and running his hands over the top to smooth fly-a-ways and define the piecey texture to the ends.